Aarya

Madhavan, Bhavana, Vadivelu

The actors seem to enjoy playing their roles. Madhavan revels in his, and if his physique alternates between the beefy and the toned, blame it on the long time the film took to get completed. Prakashraj makes the most of Kasi, while Bhavna plays the spoilt brat to the hilt. Read More

Probably, director Balashekharan had heard about the classic Shakespearean knot Taming of The Shrew, and wanted to adapt it to Indian conditions. Perhaps he imagined that a violent but mindless adjunct of an elder to the haughty lass would have added spice to this potboiler. Read More

Vadivel works his tried-and-tested comic antics one more time. Though the comedy is jarring at times, the director obviously has the B&C audiences, who love Vadivel's buffoonery. Vadivel's run-in with Bhavana is sure to raise a few laughs. Read More

It is Prakash Raj, a seasoned actor, who enlivens the whole drama. In what is obviously a contrived performance, Madhavan tries to be a "chocolate boy" turns action hero. The young Bhavana is given a difficult role, a character with negative shades and she proves equal to the challenge. Read More

Deepika gets furious on finding Arya's bike parked in the lot reserved for cars. As irresistible Arya ignores her angry shrieks and refuses to salute her, she goes ballistic, destroys his bike, kidnaps his sister and is out for his blood. Read More

On the technical front, Mani Sharma, in charge of music is visible in the title peppy number. Editing could have been better and so are stunt sequences. Read More