Thoondil

Shaam, Sandhya, Divya, Revathi, Vivek

Performance-wise, the women have done a good job. Sandhya is credible as the distraught mother/wife who discovers her husband's hidden past. Divya Spandana too is convincing as the betrayed other woman. Read More

The basic problem with the film is that the story is clichéd, unimaginative and amateurish to say the least. The presentation is old fashioned and the dialogues are banal. Having its milieu in London, words such as Mutta, karu and Ennanga is too incongruous. Read More

Shaam makes a comeback after a long gap and gives a memorable performance. While Sandhya is a revelation, it is Divya Spandhana who steals the show. Shaam gives a realistic performance in both the roles, one as a lover and then as a dutiful husband. Read More

Director K.S. Adhiyaman's specialty lies in film plots that explore family relationships. Starting from Swarnamuki, Priyasaki, Thottachinungi, the director has stood by his own conviction to create such films and his work seems to satisfy consistently satisfy the public. Read More

Abhishek Ray, making his debut as music composer, hasn't done a bad job at all, coming up with at least two memorable songs. However, the background score is noisy, overly melodramatic, with a lot of screaming violins. Read More