Sowryam

Gopichand is at ease in his role -- fighting with panache and dancing with elan. He improves with every film. Souryam means bravery and Gopichand displays this and then some throughout the film. Read More

Poonam Kaur is okay as the sister and was seen crying most of the time in scenes filled with sentiment. Ali evoked good comedy after a long time as Gymson, while Malayalam artiste Manoj K Jayan gave a fresh look in performing villainy. Once again Ajay played a stereotype role in the movie. Read More

Anushka sizzles once again with her chirpy role of a college girl who is madly in love with the hero. She has a couple of fast numbers with hero. However, her role is limited to dances and romancing the hero and it leaves little scope for her to perform. Read More

Sowryam runs in typical of Gopichand's earlier films but this time it has better comedy and some hilarious moments. Despite familiar storyline and treatment, it is watchable. Second half and music should have better, but on the whole it is okay movie. Read More

Cinematography is at its best, fight sequences are exhausting and music is average. Shiva's direction has suffered some hiccups and he failed to bring in Kolkata nativity on screen. Read More

Marthand Venkatesh's editing is slick and paces up the film. Mani Sharma's music is good for songs and excellent for the re-recording (background). Especially, rerecording for Ali's scenes add more humour to the scenes. Read More

Krishna Bhagwan as a doctor in the second half gets a few witty lines to mouth. The girl gang with Anushka is annoying. Cinematography, editing, dubbing, action and background score are all decent. The movie in totality doesn't come up to the mark. Read More

A strong vein of sister sentiment runs through the film. The director could have maintained the pace with a tighter narration. The violence could have been toned down as the family audiences may be put off by it. Read More